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| Peel Slowly and See | 
 enlarge
| Artist: The Velvet Underground
Label: Polydor / Umgd
Category: Music
List Price: $59.98
Buy New: $38.95
You Save: $21.03 (35%)
Buy New/Used from $25.00
Avg. Customer Rating:  (51 reviews)
Sales Rank: 6732
Format: Box Set
Media: Audio CD
Discs: 5
Shipping Weight (lbs): 2.1
Dimensions (in): 12.2 x 6.2 x 1.9
MPN: 527887
UPC: 731452788726
EAN: 0731452788726
ASIN: B000002GM5
Release Date: September 26, 1995
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Venus in Furs | | • | Prominent Men - The Velvet Underground, Cale, John | | • | Heroin | | • | I'm Waiting for the Man | | • | Wrap Your Troubles in Dreams | | • | All Tomorrow's Parties |
Disc 2
| • | All Tomorrow's Parties | | • | Sunday Morning - The Velvet Underground, Cale, John | | • | I'm Waiting for the Man | | • | Femme Fatale | | • | Venus in Furs | | • | Run Run Run | | • | All Tomorrow's Parties | | • | Heroin | | • | There She Goes Again | | • | I'll Be Your Mirror | | • | The Black Angel's Death Song - The Velvet Underground, Cale, John | | • | European Son - The Velvet Underground, Cale, John | | • | Melody Laughter - The Velvet Underground, Cale, John | | • | It Was a Pleasure Then - The Velvet Underground, Cale, John | | • | Chelsea Girls - The Velvet Underground, Morrison, Sterling |
Disc 3
| • | There Is No Reason - The Velvet Underground, Cale, John | | • | Sheltered Life | | • | It's All Right (The Way That You Live) - The Velvet Underground, Cale, John | | • | I'm Not Too Sorry (Now That You're Gone) - The Velvet Underground, Cale, John | | • | Here She Comes Now - The Velvet Underground, Cale, John | | • | Guess I'm Falling in Love - The Velvet Underground, Cale, John | | • | Booker T. - The Velvet Underground, Cale, John | | • | White Light/White Heat | | • | The Gift - The Velvet Underground, Cale, John | | • | Lady Godiva's Operation | | • | Here She Comes Now - The Velvet Underground, Cale, John | | • | I Heard Her Call My Name | | • | Sister Ray - The Velvet Underground, Cale, John | | • | Stephanie Says | | • | Temptation Inside Your Heart | | • | Hey Mr. Rain - The Velvet Underground, Cale, John |
Disc 4
| • | What Goes On | | • | Candy Says | | • | What Goes On | | • | Some Kinda Love | | • | Pale Blue Eyes | | • | Jesus | | • | Beginning to See the Light | | • | I'm Set Free | | • | That's the Story of My Life | | • | The Murder Mystery | | • | After Hours | | • | Foggy Notion - The Velvet Underground, Morrison, Sterling | | • | I Can't Stand It | | • | I'm Sticking With You | | • | One of These Days | | • | Lisa Says | | • | It's Just Too Much | | • | Countess from Hong Kong - The Velvet Underground, Cale, John |
Disc 5
| • | Who Loves the Sun | | • | Sweet Jane | | • | Rock Roll | | • | Cool It Down | | • | New Age | | • | Head Held High | | • | Lonesome Cowboy Bill - The Velvet Underground, Morrison, Sterling | | • | I Found a Reason | | • | Train Round the Bend | | • | Oh! Sweet Nuthin' | | • | Satellite of Love | | • | Walk and Talk It | | • | Oh Gin | | • | Sad Song | | • | Ocean | | • | Ride into the Sun - The Velvet Underground, Cale, John | | • | Some Kinda Love | | • | I'll Be Your Mirror | | • | I Love You |
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| Editorial Reviews:
Album Description
Limited edition Japanese pressing of the 1967 album, re-released on CD and packaged in a 12 x 12 inch album sized LP replica sleeve with all the original artwork and tracks. Universal. 2005.
Amazon.com essential recording
This comprehensive five-disc retrospective of the Velvet Underground chronicles the band from its earliest demo tapes, recorded in 1965, to Lou Reed's final work with band, in 1970. At their notorious peak, Reed, John Cale, Sterling Morrison, and Mo Tucker epitomized the sound of intellectual art punks being spontaneously creative in Andy Warhol's Manhattan. Rock roll has never been the same since Reed's gutter-rock observations and Cale's cool, droning electric viola blanketing the band's mysterious three-chord innovations. It's all here: loads of feedback, classic songwriting, and Reed's transformation from Dylan imitator to sonic-rock auteur. With previously unreleased gems, live performances, and other oddities, this is everything you wanted to know about the Velvets but were afraid to ask. I--Mitch Myers/I
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| Customer Reviews: Read 46 more reviews...
 Impressive overview December 24, 2008
A fine boxed set detailing one of America's premier experimental groups, it is still constructed for the knowledgeable (borderline obsessive perhaps) fan already familiar with their 4 studio discs, which work alone fine for me. The first disc of looping demos alone articulates this fan-intensive approach almost to an alienating degree, although the remaining four studio discs come packed with a treasure trove of B-sides, many of which are quite good in their unvarnished ways.
 I'll be your mirror, reflect what you are September 16, 2008
1 out of 1 found this review helpful
Heroin, sadomasochism, paranoia, hangovers, seductive ladies and a big banana on the cover. The Velvet Underground was unique in 1967 -- even if it never made big sales -- and remains unique to this day, no matter how many bands are influenced by them. Not bad for an arty band with zero mainstream appeal!br /br /Lou Reed tears through a variety of songs, ranging from gritty hard rock to strange ballads. The most memorable song here is undoubtedly slashing, exotic S/M ode "Venus in Furs" ("Comes in bells, your servant, don't forsake him/Strike, dear mistress, and cure his heart"). Elsewhere, he dips into pure rock in the desperate "Run, Run, Run," but takes a softer turn with surreal junkie ballads and the eerie, soft "Sunday Morning."br /br /However, German ex-model Nico -- who departed the band in hazy circumstances after this album -- leads with her seductive monotone. She only had a handful of songs, but they remain some of the best: singsong "Femme Fatale," steady and slow "All Tomorrow's Parties," and the exquisite ballad "I'll Be Your Mirror."br /br /The Velvet Underground was probably the first real art band in rock history, formed at a time when megabands like the Rolling Stones were at their peak. But they couldn't have been more different from the heavily-publicized bands -- creepy, dark, and both beautiful and ugly. The Velvet Underground was the reverse of mainstream.br /br /The music isn't complex, but it is strangely compelling -- the wiggling guitar at the beginning of "Black Angel's Death Song," or the tambourines Nico played in her songs. Nowhere else could musical compositions like "Sunday Morning" -- the delicate tune reminiscent of a music box -- seem so haunting as they do here.br /br /The vocals are excellent, although listeners will probably like one or the other. Lou Reed's high thin voice is a sharp contrast to Nico's accented, husky croon. (Nico left the band after this album, which is a shame), but it's the writing that makes it stand out The songwriting is outstanding, and since the frank references to kinky sex and drugs are nowhere near as shocking now as they were then, the raw quality of the songs can shine.br /br /The sparse, slithering music and excellent singing add solidarity to the reputation of the Velvet Underground as a classic. Dark and brooding, debut album "Velvet Underground and Nico" is an exceptional album.
Great music with questionable track listings packaging December 13, 2007
1 out of 1 found this review helpful
Hard to criticize the great music on this box set, but there are some missteps in the track listings and packaging. You would expect the demos, live tracks, extras from the respective time periods to be at the end of the official releases, right? Not so. It's also disappointing that this isn't the box set that includes everything that is commercially available.br /br /On disc 1 there are demo versions exclusive to this release. We are all excited to hear new Velvet's material, but it's mostly Cale singing the same verse over and over accompanied by Reed on acoustic guitar. Interesting, but you won't be anxious to hear this more than a couple of times. br /br /On disc 2 there's the short version of All Tomorrow's Parties (Single Version) which is before The Velvet Underground Nico. There is no reason for this to start the disc; it's the shorter, lesser version of the song. The huge bonus on this disc is the live track Melody Laughter, which is VU live w/Nico; wish there was more tracks like this on here.br /br /Disc 3 features demos and live tracks before the main release that is White Light/White Heat. Again, all of these tracks should be at the end of the official release. The live tracks Guess I'm Falling In Love and Booker T. are particularly noteworthy, but are awkward listens before the showcase release.br /br /Disc 4 has a live version of What Goes On and you get to hear the "closet" version 2 tracks later. A minor annoyance, but still. The live and bonus tracks on this are outstanding.br /br /Disc 5 I have little to complain about. Loaded precedes all of the great extras.br /br /On to the packaging. Comes in a great book shelf worthy cardboard case w/a vinyl peel off banana that encloses the discs themselves which are in plastic cases as opposed to the annoying cardboard digipacks that are customary these days. There is also the awesome 80 page booklet w/musings from the Velvets as reported by David Fricke. What is disappointing about the packaging is that the original LP covers are reduced to thumbnails on the back of the cds. These are replaced, on the front cd cover, by scans of the analog tape cases w/hand written notes; very cool, but not worthy enough to replace the original covers. br /br /In conclusion, lots to like here, but my big gripe is I wanted an all inclusive box set w/track listings that were suitable to my tastes. br /br /br /br /
Great Set December 2, 2007
Must have for all Lou Reed fans. The bonus tracks really throw it over the top.
Supernova July 20, 2007
Astonishing in its diversity, this influential album appeared like a supernova and endures as a classic because of the quality of the songs. With the exception of the discordant Black Angel's Death Song and to a lesser extent European Son, every song is underpinned by a lovely melody line. br /br /This is especially evident on the melancholic Sunday Morning, the resigned Femme Fatale and the wistful All Tomorrow's Parties, but by no means lacking on more confrontational tracks like Venus In Furs or Heroin. I'll Be Your Mirror has the same folky feel as Sunday Morning, while the roughness of Black Angel and European Son (the latter dedicated to poet Delmore Schwarts, one of Reed's heroes) has become more digestible as the mainstream has caught up with this pioneering work. br /br /The voice of Nico, the archetypical Teutonic Blonde, adds a strange and eerie dimension to the album as a whole. These songs have often been covered; to name just a few of my favorite interpretations: Sunday Morning by OMD, Waiting For The Man by John Cale and Nico on various of their solo albums, Femme Fatale by Propaganda, All Tomorrow's Parties by June Tabor on Freedom and Rain, There She Goes Again by REM on Dead Letter Office. br /br /The legacy of the VU, and of this album in particular, may be observed in the beautiful sonic sojourns of bands like inter alia Mercury Rev, My Bloody Valentine, Jesus and Mary Chain, Sonic Youth, and Swans. The "Banana" album remains a monument to the fierce spirit of rock 'n roll.
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